ABOUT

I don't make art to recreate what I see. I make art to reveal how I see.

My practice begins with observation, curiosity and a desire to understand the world through making.
I am fascinated by the details that often go unnoticed: the rhythm of windows in a building, the pattern of stones, the way light falls through a roof, the contrast between materials, or the organic structures found in nature. I collect these observations and translate them into colour, form, texture and material.
My work moves freely between painting, works on paper, ceramics, sculpture and material-based experimentation. I deliberately avoid committing to a single medium or technique. For me, the material is part of the question. Each investigation asks for its own process and form.

What happens if?

This question is at the heart of my practice. I experiment, deconstruct, rearrange and transform. I am interested in what happens when familiar elements are taken apart and brought together in a new way, and in the unexpected results that emerge through the process.

The process itself is therefore essential. A material may behave differently than expected. A colour may change through mixing. A structure may become something entirely different when repeated or transformed. Chance, experimentation and intuition become active participants in the work.
Across different disciplines, recurring elements connect my practice: contrast, rhythm, repetition, colour, organic forms, texture and transformation.

My work is not defined by a particular medium. It is connected by a particular way of seeing.
I see my practice as an ongoing collection of observations, questions and discoveries. I observe. I collect. I deconstruct. I transform.

The work is my way of sharing what I see — and inviting others to look again.

BEYOND THE STUDIO

When I am not making, I am usually looking for inspiration elsewhere.

I love travelling, discovering architecture, visiting museums and galleries, collecting objects, working with plants, taking photographs and simply observing what happens around me. I am drawn to old buildings, natural forms, unexpected colour combinations, textures and objects that carry traces of time.
I have always been a collector. Stones, shells, books, plants, ceramics, images and found objects have all found their way into my home and studio. Collecting, for me, is a way of paying attention. It is a way of saying: this caught my eye, and I want to remember it.
Many of these things never become a finished artwork. Some remain simply as memories or sources of inspiration. Others return months or years later in a completely different form.

This curiosity extends beyond my studio. I am interested in people, places, materials, architecture, nature and the unexpected connections between them.
I believe that art is personal. It carries something of the person who made it — their attention, curiosity, experiences and way of seeing.
And when someone brings one of my works into their home, they are not only bringing an object into their space. They are bringing a small part of that way of seeing with them.

That is something I value deeply.